Heath Ledger Shares His Love For Nick Drake

Heath Ledger aspired to direct.  One of his personal directorial projects was set to Nick Drake’s song about depression entitled “Black Eyed Dog”, recorded in 1974.

Ledger wanted to make a biographical film about the British singer/songwriter. The project “faded away”, according to Ledger, because Drake was such a ‘mysterious figure’ that filing in his story would require that he take too many liberties.  “I was obsessed with his story and his music and I pursued it for a while and still have hopes to kind of tell his story one day.”

Video of Ledger Interview here: http://www.mtv.com/news/articles/1580085/20080122/drake_nick.jhtml

Nicholas Drake may be best known for his album Pink Moon. He was a talented musician, playing not only the acoustic guitar but was proficient with the saxophone, piano and clarinet. He died of an overdoes of anti-depressants in 1974 at the age of 26.  Although Drake was unable to garner a wide audience during his lifetime, a substantial and devoted fan base has developed since his passing. Appreciation for his work has been expressed through several concerts, fan managed websites and a recent (limited) release of the 3 cd box set entitled, Fruit Tree.

One Of My Favorite Pictures of All Time

Before I was aware of Nick Drake, I bumped into this picture somewhere on Google Images and fell in love with it. It is how I feel all the time..that eveyone is so rushed-with feet and focus off the ground- and I can’t make out why.

This is Not A Photocollage

A Philosopher’s Desk by Jerry Uelsmann
In the forward of the beautiful Jerry Uelsmann’s book, Photo Synthesis, A.D. Coleman explains the difference between photocollages and photomontages.

Neither of these terms should be used as an umbrella to cover what are two radically different forms of photographic image making. They are far from synonymous.

Photocollage

The French word collage means “gluing”; the craft process is that of pasting varied materials together. Photocollage, then, involves the cutting up and reassembling of parts of photographic prints or reproductions of photographs. In itself, this does not require any photographic activity. Because many forms of such imagery can be generated without the use of a camera or a darkroom, it has attracted not only photographers but visual artists from outside of the parameters of photography.

This moving photocollage is by conceptual artist Barbara Kruger: www.barbarakruger.com

Photomontage

Montage means “assemble/putting together” in French.

Strictly speaking, photomontage is the superimpositon of one image on another, this can be achieved in such a way that both are simultaneously present and visible, that is they show through each other or so that the added images appear integral to the depicted scene.
Accomplishing this requires photographic methods. One of these is “double” or multiple exposure done while the negative is still in the camera. Montages can be executed in a darkroom, as with multiple printing (exposing the printing paper to part or all of several negatives in succession) and combination printing, or the “sandwiching” of the negatives simultaneously) These are the techniques in which Uelsmann has specialized. In such cases, both the image components and the techniques involved are purely photographic in nature.

Most of Uelsmann’s work is Untitled.

Jerry Uelsmann My Favorite Photographer: http://www.uelsmann.net/

Apply this advice to your craft

Scenes from the movie “The Universal Mind of Bill Evans – Creative Process and Self-Teaching”.

Thanks to sareston for posting on Youtube.
Visit: http://www.youtube.com/user/sareston to see segments 2 and 3.

Wiki: Bill Evans

William John Evans: (August 16, 1929 – September 15, 1980) was one of the most famous and influential American jazz pianists of the 20th century. His use of impressionist harmony, his inventive interpretation of traditional jazz repertoire, and his syncopated and polyrhythmic melodic lines influenced a generation of pianists, including Herbie Hancock, Chick Corea, Denny Zeitlin[1] and Keith Jarrett, as well as as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Fred Hersch, Ray Reach, Esbjörn Svensson, Bill Charlap, David Thompson, Brad Mehldau[2], Geoffrey Keezer, Lyle Mays and Eliane Elias[3]. Evans is an inductee of the Down Beat Jazz Hall of Fame.

The Making of Love

A version of the creative process: Bjork- All is Full of Love

How:

Heath Ledger Portrait: A Positive Thing

The last and only portrait of Heath Ledger captures him as an intense, brooding young man, a distant, troubled look in his eyes. Just under his well-defined chest is a simple red tattoo of the girl who was the centre of his life — two-year-old daughter Matilda.

It is a portrait in triplicate — the pensive central figure is flanked to the right by Ledger looking bleary-eyed but grinning, and to the left by another cast deep in shadow.

Although the portrait could be interpreted as confirmation that Ledger was suffering emotionally in his final days, Melbourne artist Vincent Fantauzzo paints a very different picture of the man, saying the actor was feeling “very positive about the future”.

Fantauzzo, a friend of Ledger’s, had been meaning to paint the actor’s portrait for three years — but it was only last month, during a break in Ledger’s frenetic schedule, that the artist was able to have him sit for the portrait. Fantauzzo flew to Perth during the Christmas break to paint Ledger at his family home, and completed the painting in Melbourne.

Yesterday, still reeling from the unexpected death of his friend, the artist reluctantly spoke about his feelings and the work. “I just can’t believe it. I think everyone is saddened and shocked,” Fantauzzo said.

He was intending to enter the portrait in this year’s Archibald Prize, but now he’s not so sure. The art award, one of Australia’s most prestigious, has a first prize of $35,000.

“I want to make sure I am doing the right thing,” Fantauzzo said. “I have spoken to his close friends and they have told me that he would want it to be in there, but I don’t want it to bring negative attention. I just want it to be a positive thing, like a tribute to Heath, rather than people reading it the wrong way.”

Although Ledger appears troubled in the painting, Fantauzzo says the portrait was meant as a comment on the scrutiny that celebrities such as Ledger endure, and the effect it has on their lives and emotional health.

“The last few days are the perfect example of that sort of scrutiny,” Fantauzzo said. ”It was really about the public figure and everybody trying to get a piece of you.”

He has yet to title the painting and is still putting the finishing touches on it. ”I have been working on it for the past three weeks, for 10 hours a day. I have just been meditating over it and his life and his family, and I just feel really bad for his mum and all the negative attention because Heath was very positive about the future.”

Fantauzzo said that unknown to many, Ledger was a strong supporter of artists and the arts, a fact the actor didn’t like to publicise.

“He was the centre of so many people’s lives and he helped so many people. He didn’t ask for any of that to be known. He took time away from his holiday with his family and Christmas to sit for the painting. That was pretty kind.”

Source: By Gabriella Coslovich-01/25/08

Full article: http://www.theage.com.au/news/national/stars-portrait-has-artist-in-a-bind/2008/01/24/1201157560392.html