Holy Acknowledgment Batman, Time to Take Comics Seriously

In Hell, it is most probable that its master resembles this: a controlled yet maniacal entity, void of empathy. Satiated by nothing. Existing to feed on a self prepared diet of chaos, destruction and the looming fear of reckless violence and death. You see, Its goal is not one that logic or human perspective or material gain can affect. The goal, says the Joker ‘is to send a message.’

On Sunday, I experienced The Dark Knight at Universal City Walk’s IMAX Theater. Director, Christopher Nolan shot 6 powerful sequences of this stunning film in 70 mm IMAX format–the world’s highest film format resolution. The resulting rich and vivid imagery transports the audience into a personal experience in Gotham..engulfed in roaring blue flames, dodging flying sparks from a thrashing overturned big rig, and feeling the flights and fights of Gotham’s hero as they happen. What an experience!

But is an action packed, audience engaging, visually stunning movie with a well formed storyline enough to gain the attention of the Academy of Motion Picture Arts and Science? Should be!

Oscar’s Purpose

The Academy Awards, popularly known as the Oscars, are awards of merit presented annually by the Academy of Motion Picture Arts and Science (AMPAS) to recognize excellence of professionals in the film industry, including directors, actors, and writers. (wikipedia)

In a recent LA radio panel discussion, comic book and movie fans expressed hope that their genre will receive recognition from AMPAS. The Teen Choice Awards and MTV Moon men are great, but there is the perception that that comic book inspired films are high on The Academy’s ‘to snub’ list. With such successful releases as Transformers and The Dark Knight, it will be interesting to watch how this genre will be treated during the next reading of Oscar nominations

If excellence is what they want, Heath Ledger’s work must be seriously considered. His performance as Batman’s long time nemesis, The Joker, was amazing. A relentless and evil psychopath devastating the heart of Gotham in order to test the code of a conflicted Batman-whose effectiveness is being called into question by those he serves.

Ledger’s Joker is not a flesh textured cartoon. He is the personification of an entity absent of light and hope. His face-a pasty, painted canvas for a kniffed-in, infected grin set underneath the dark windows to a dead soul with nothing to lose. There is no Heath Ledger reflecting in The Dark Knight. There is the devil and his whims.

The film raises several philosophical questions including the value of a life, the heart of humanity when challenged, the definition and code of a hero, and the measure of actual results vs. honorable intentions. The untimely death of Heath Ledger certainly inspires deeper ponderance of some of these topics. But make no mistake, the heartfelt outcry for Ledger’s work to be acknowledged is born out of our appreciation for Ledger’s masterful immersion into a character so well developed that a sense of dread remains long after the final credits roll.

As joker said “This city deserves a better class of criminal. And I’m going to give it to ‘em”.

Mission accomplished, Mr. Ledger.

dae

Walk the Line-Review


If you hope that “Walk The Line” will delve into the pathology of the talented, complex country singer who dressed in black as a form of empathy for society’s outsiders, you may want to just enjoy the lyrics of Cash’s song, Man In Black and wait for Hollywood’s next attempt.

This is not that film.

“Walk The Line” is the engaging love story of Johnny Cash and June Carter. Johnny’s admiration for June is sparked as a boy,enjoying the voice of 10-year-old June Carter as she belts out a song over the radio. The film focuses on Cash’s rise from poverty to prominence and his reckless pursuit of June Carter in the midst of a failing marriage and a fierce, losing battle with substance addiction.

The strong performances and the chemistry between Joaquin Phoenix (Johnny) and Reese Witherspoon (June) saved this film. Phoenix embodied the entity of Cash-from his intense stares, to his simmering passion and gravelly voice. Witherspoon gave a strong performance as June Carter as the sassy-crowd pleasing performer, the determined rejector of Cash’s advances and finally,Cash’s compassionate lover.

Although many of the questions I have about Cash were not answered in this film, it is worth watching. Since scales are fun and useful.. if I were to rate it as a biopic, it would receive 2/5 hearts. But as a love story, it deserves 4/5.

The Visitor

(Spoiler Alert: For those who enjoy the frame by frame, emotional unraveling of a story as I do, read no further than this paragraph. Just know that I highly recommend this wonderful film).

 The Visitor is a simple yet captivating film about a seasoned college professor who has given up. His passion, fire and drive were laid to rest  along side his beloved wife many years ago. Walter Vale’s time is now spent pretending and avoiding. He suits up every morning, only to move through the empty, predictable life he has designed for himself with little as connection as necessary.

 One day, despite his protest, Walter is assigned to leave the comfort of his Connecticut home for a few days to speak at a business conference in New York. He arrives at his rarely occupied New York apartment and hears an uninvited someone moving about. Walter opens his front door to step into a figurative parallel universe led by two illegal immigrants at an important crossroad in their personal journey. Walter slowly decides to join them but soon finds out he must set out on his own.

 Along the way,  Walter will passionately exclaim ‘its not fair’. And life is not. The untimely passing of his wife. The weight of governments on the neck of an innocent, profiled man. The guilt that a mother feels for an error of judgment. But nor is it fair that a man can squander his opportunity to enjoy his life. This lesson, when learned is the sound emanating from the African drum eventually played by Walter Vale from his heart.

 Writer-director Tom McCarthy does an excellent job of presenting each character with its own life force and a genuine infusion of humanity.

 Richard Jenkins,Haaz Sleiman, Danai Gurira and actress Hiam Abbass were excellent.  With hearts exposed, each gave a powerful performance.

 The Visitor is about giving: how it helps us, may hurts us and definitely how it can heal us-when given a chance.

 You will most likely find this limited release film at your local indie/arthouse film venue. Support quality and go to the theater to see it if you can.